Neil Cockburn

Organ | Early Music | Sacred Music

International prize-winning organist Neil Cockburn is Director of Chapel Music at the University of King's College, in Halifax, Nova Scotia, Canada. Celebrated for his diverse repertoire interests and expertise, he performs an all-encompassing spectrum of solo organ recitals on a wide range of instrument types, from all-Bach recitals on historically inspired organs, to symphonic programmes on romantic instruments, and concerts of entirely new works. His most recent solo recording is of the Mass on the Sixth Tone with three Magnificat Suites by the seventeenth-century French composer, André Raison. He also performs frequently as a continuo player on organ and harpsichord.

Born in Scotland, Neil Cockburn’s musical education was at Oxford University (BA Hons, Music), the Royal Northern College of Music in Manchester, UK (MusM, Organ Performance, and the Professional Performance Diploma, PPRNCM), the Conservatoire National de Région Rueil-Malmaison, France (Premier prix de perfectionnement), and the University of Calgary (PhD, Musicology). His formative teachers and mentors include David Sanger, Margaret Phillips, and Dame Gillian Weir. He won First Prize at the 1996 Dublin International Organ Competition, and has received numerous other prestigious awards, including the W. T. Best Memorial Organ Scholarship (UK), a scholarship from the Countess of Munster Musical Trust (UK), and the Lili Boulanger Memorial Fund Prize — awarded by an international panel of judges.

From 2000 until 2015 he was Head of Organ Studies at Mount Royal Conservatory, where he worked alongside Simon Preston on the International Summer School (2000-2009), and was Artistic Director of the Calgary Organ Festival (2010-2015). He was awarded the Distinguished Teaching Award (Credit Free) by Mount Royal University in June 2014. He became Director of Music at the Anglican Cathedral Church of the Redeemer in Calgary in 2015 - a position he held until 2022.

During his time in Calgary, he performed regularly with the Calgary Philharmonic Orchestra, and other local groups as a continuo player on harpsichord and organ. With theorbists Victor Coelho and David Dolata and the group “Il Furioso,” he performed harpsichord continuo on two recordings of early seventeenth-century Italian repertoire for the Toccata Classics label: recordings of the music of G.G. Kapsberger and B. Castaldi.
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